Sue Trevillian has been to a number of Basil’s studios and workshops in two countries and three states. Here is her colour etching and chine collé, commenced at one workshop in 2014, with colour added at the Firestation Printmaking Workshop in Melbourne last weekend. The pigment technique works well behind dry points and aquatints in particular.
One of the 2016 Firestation workshop etchings
September 20, 2016 Basil Hall